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  • 安德鲁斯姐妹演唱组：离去（1938-1944年录音）
    ANDREWS SISTERS: Hit the Road (1938-1944)
    专辑号：8.120550
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• • 安德鲁斯姐妹演唱组：离去（1938-1944年录音）/ANDREWS SISTERS: Hit the Road (1938-1944)
  • [ 介绍 ]
  • 在流行歌曲范围里，三个人的合唱是相当讨好的。它们有旋律，有和声，还可以表现出多种单独演唱无法表现的技巧。 女子组合一开始往往都称作XX姐妹。在一个音乐素养不错的家庭里，很容易产生这样的组合。在早期声望最盛的应属鲍斯威尔姐妹（Boswell Sisters）。再就是安德鲁斯姐妹(The Andrews Sisters),她们三人受鲍斯威尔姐妹的影响，成立了自己的组合。论成就，那就远超她们的师父，由30年代后期到40年代可说是独领风骚。 THE ANDREWS SISTERS Hit The Road Original 1938-1944 Recordings Between the two World Wars a trend for syncopated close-harmony vocalising flourished. Deeply rooted in barbershop and further back still in Negro minstrelsy its more recent precursors had included the Revelers, the Comedy Harmonists, the Mills Brothers and, among the girls, the Boswell Sisters, the Andrews Sisters’ closest role-models. The Andrews had their own characteristic style, however, allied to a rhythmic incisiveness which makes them still for many the Number One favourite close-harmony group, a partisanship borne out by record sales exceeding 60 million – making them the biggest girl-group success in popular recording history. Like Glenn Miller and Vera Lynn, their sound is the very essence of wartime nostalgia. The Sisters, who all hailed from Minneapolis, Minnesota, of part-Norwegian, part-Greek parentage, comprised Laverne (1915-1967), Maxene (1918-1995) and lead-singer Patricia (aka Patti or Patty, born 1920). The girls began vocalising as a trio at a very early age and from local radio slots they progressed with professional determination, via vaudeville and nightclubs, to eventual stardom. After winning a juvenile talent contest at the Minneapolis Orpheum, in 1931 they toured the RKO theatre circuit and by the following year were touring with the Larry Rich orchestra and later worked in vaudeville and Chicago nightclubs. They made their New York debut with Leon Belasco’s New York Hotel Edison Orchestra and in March 1937, at the height of the Swing Era, while still in residence with the band they cut their first records – four sides for Brunswick (in actual fact two Patti solo vocals, and two trios) – and in October they were ‘discovered’ by Jack Kapp, then President of the US Branch of the English Decca Record Company, and signed to a contract. With their second Decca master, “Bei mir bist du sch？n”, a rehash of a 1932 tune by Jewish musicals composer Sholem Seconda, the girls struck gold. The equivalent of US No.1 in 1938 (the charts as we now know them were not set up until 1940), the song provided a lasting signature tune and their first million-selling record, thus kick-starting one of the most prolific, if often stormy, of partnerships in popular music history. The Andrews Sisters’ popularity soon reached a peak on radio and the golden spring of the US Cold War was soon to give rise to some early Andrews Sisters boogie-style indispensables, including (in 1938) “Nice Work If You Can Get It” (from the 1937 RKO musical A Damsel In Distress), “Joseph, Joseph”, “Short’nin’ Bread”, “Tu-Li-Tulip Time”, “‘Sha-Sha”, “Lullaby To A Jitterbug”, Says My Heart (cover of the Burton Lane–Frank Loesser hit from the Paramount musical comedy Cocoanut Grove), Love Is Where You Find It (a Dubin–Warren-Mercer collaboration from 1938 Warner Brothers musical Garden Of The Moon) and María Grever’s Ti-Pi-Tin. In 1939 their list of hits included “Hold Tight, Hold Tight (I Want The Seafood, Mama)”, “Beer Barrel Polka” and Chico’s Love Song and the following year their Silver Screen baptism (between 1940 and 1947 they were to appear in twenty-odd light-musicals, invariably as themselves) began when they were paired by Universal with the Ritz Brothers in Argentine Nights. From this moderate box-office success came the two Don Raye songs Rhumboogie (US No.11) and Hit The Road (US No.27) while among their other 1940 record best-sellers were “Ferryboat Serenade” (their first US No.1 hit), “Beat Me Daddy, Eight To The Bar” (US No.2), “Say ‘Sí, sí’” (US No.4), “The Woodpecker Song” (US No.6) and Down By The O-Hi-O (US No.21). Viewed essentially as escapist fodder to the propagandists behind the US war-effort, the Sisters were soon in demand to make more low-budget movies (all for Universal). First, in 1941, came Buck Privates (featuring their revival of the 1920 Albert Von Tilzer standard I’ll Be With You In Apple-Blossom Time, US No.5) and its follow-up In The Navy and Hold That Ghost (in this last, a classic of the Abbott and Costello comedies, the Sisters sang “Aurora” (US No.10) and “Sleepy Serenade” – US No.22) while their record hit-list for that year included “Scrub Me, Mama, With A Boogie Beat” (US No.10), “Boogie Woogie Bugle Boy” (US No.6), “The Nickel Serenade” (US No.22), a US No.22 revival of the 1928 Al Jolson song “Sonny Boy” and a No.11 cover-version of Harry Warren’s I, Yi, Yi, Yi, Yi (created by Carmen Miranda in the 1941 20th Century Fox musical That Night In Rio). In 1942 the Sisters made three more movies: What’s Cookin’, Private Buckaroo (another military farce, this aired their hits “Three Little Sisters” (US No.8), “That’s The Moon, My Son” (US No.18) and “Don’t Sit Under The Apple Tree” – US No.16) and Give Out, Sisters (this last, in which the girls were rather unusually for reasons of plot cast as rich old maids, featured Pennsylvania Polka, US No.17) and among their other hits were “Strip Polka” (US No.6) and “Mister Five-By-Five” (US No.14). Their partnership on disc with “Ol’ Groaner” Bing Crosby, which began in 1939 and lasted until 1947, was also to produce several sizeable hits, and some perennially popular non-hits, such as this 1943 cover-version of Al Dexter’s C&W favourite Pistol Packin’ Mama. From 1943 and 1944 come a range of other classic Andrews Sisters tracks, including their US No.1 (their second) Shoo Shoo Baby, cover-versions of Tico-Tico (US No.24 – a Latin-American standard which was a bigger hit for rhythm pianist Ethel Smith) Nat ‘King’ Cole and Irving Mills’ Straighten Up And Fly Right (US No.8) and Rum And Coca-Cola (based on a Trinidadian melody of 1906 vintage entitled “L’année passée”, this was to provide the Andrews Sisters with their third US No.1 hit, in January 1945, and nominally their second million-selling record – or their fourth, counting two others meanwhile with Bing Crosby). Peter Dempsey, 2003
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      梯－匹－廷 Ti-Pi-Tin

      

      1:梯－匹－廷 Ti-Pi-Tin

      02:38

      我们以前在什么地方见过面？Where Have We Met Before?

      

      2: 我们以前在什么地方见过面？ Where Have We Met Before?

      02:49

      我的心说Says My Heart

      

      3: 说出我的心 Says My Heart

      02:48

      爱情就在你发现它的地方Love is Where You Find it

      

      4: 爱情就在你发现它的地方 Love is Where You Find It

      02:47

      一、二、三奥列瑞One-Two-Three OLeary

      

      5: 一、二、三奥列瑞 One-Two-Three OLeary

      03:03

      Chico的爱情歌曲Chicos Love Song

      

      6: Chico的爱情歌曲 Chicos Love Song

      03:07

      在俄亥俄州附近Down By the Ohio

      

      7: 在俄亥俄州附近 Down By the Ohio

      02:59

      男士燕尾夜礼服Tuxedo Junction

      

      8: 男士燕尾夜礼服 Tuxedo Junction

      03:10

      RhumboogieRhumboogie

      

      9: Rhumboogie Rhumboogie

      02:49

      离去Hit the Road

      

      10: 离去 Hit the Road

      02:51

      我将与你在一起（在苹果花时代）Ill Be With You (in Apple-Blossom Time)

      

      11: 我将与你在一起（在苹果花时代） Ill Be With You (in Apple-Blossom Time)

      03:03

      是的，我亲爱的女儿Yes, My Darling Daughter

      

      12: 是的，我亲爱的女儿 Yes, My Darling Daughter

      02:46

      我咿，咿，咿（我非常喜欢你）I Yi, Yi, Yi, Yi (I Like You Very Much)

      

      13: 我咿，咿，咿（我非常喜欢你） I Yi, Yi, Yi, Yi (I Like You Very Much)

      02:53

      蜂蜜Honey

      

      14: 蜂蜜 Honey

      02:45

      星期日女孩的窄裤宽松衫A Zoot Suit (for My Sunday Gal)

      

      15: 星期日女孩的窄裤宽松衫 A Zoot Suit (for My Sunday Gal)

      02:44

      宾夕法尼亚波尔卡舞曲Pennsylvania Polka

      

      16: 宾夕法尼亚波尔卡舞曲 Pennsylvania Polka

      02:50

      带枪的娘们儿Pistol Packin Mama

      

      17: 带枪的娘们儿 Pistol Packin Mama

      03:04

      嘘，嘘，宝贝儿Shoo Shoo Baby

      

      18: 嘘，嘘，宝贝儿 Shoo Shoo Baby

      02:56

      堤可，堤可Tico Tico

      

      19: 堤可，堤可 Tico Tico

      02:22

      改邪归正Straighten Up and Fly Right

      

      20: 改邪归正 Straighten Up and Fly Right

      02:34

      朗姆酒与可口可乐Rum and Coca-Cola

      

      21: 朗姆酒与可口可乐 Rum and Coca-Cola

      03:14

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