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| 1: Introduction: Opening, upward-pointing figure |
01:33
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| 2: Answering, downward figure completes the phrase |
00:22
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| 3: Beginning of dialogue |
00:25
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| 4: The nature of musical conversation; repetition; echo effect |
01:26
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| 5: Upward pointing to one target note |
00:40
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| 6: Answer points to two, downward notes |
00:11
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| 7: Same idea repeated 3 times |
0:19
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| 8: The first Solo section: birdsong from three soloists, not one |
01:53
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| 9: Repeat of two-pronged theme in orchestra |
00:22
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| 10: Orchestra depicts murmuring stream, but still theres no real melody |
00:51
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| 11: Further illustrative water studies |
00:32
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| 12: Orchestra erupts into thunderstorm |
00:27
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| 13: Orchestral thunder, virtuosic lightning from soloist - but still no tune |
00:54
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| 14: Soloistic birds return to the air |
00:41
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| 15: Variant of opening theme, with argument between two notes, one high, one low |
00:25
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| 16: Cue to First Movement |
00:20
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| 17: First Movement (Complete) |
03:29
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| 18: Scene setting and Main Theme of Second Movement |
01:56
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| 19: Analytical comment and Main Theme again |
00:57
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| 20: Main Theme varied |
00:41
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| 21: Further variation, tracing slow, descending scale-steps |
00:43
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| 22: Analytical discussion of pace and tempo ; further variant of main theme |
02:51
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| 23: Vivaldi springs a surprise, reversing direction and heightening tension |
00:44
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| 24: Analytical cue to Second Movement |
00:44
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| 25: Second Movement (Complete) |
02:35
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| 26: Undercover bagpipes initiate the finale |
01:05
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| 27: Second part of Main Theme: new notes, same rhythm |
00:18
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| 28: An echo with a difference |
00:23
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| 29: Reminder of echoed phrase in its original form |
00:12
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| 30: Surprise variant provides springboard into new descending four-note pattern |
00:19
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| 31: Unexpected, flowing entrance of soloist |
00:36
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| 32: The use of sequence in first extended solo |
01:21
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| 33: Vivaldi prepares expectation... |
00:19
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| 34: ... and frustrates it by bringing in a new theme, using his four-note motto |
01:07
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| 35: Violins accompanied by flowing commentary in lower strings |
00:34
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| 36: Soloist returns with new variant |
00:36
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| 37: Pace slows as violins trace another four-note scalewise descent |
00:24
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| 38: The peasants return with the main theme, which turns unexpectedly downward |
00:47
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| 39: Intensification as harmonies change under broad, descending four-note motto |
00:37
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| 40: Mini-earthquake transformed into harmonic landslide |
00:46
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| 41: Critical mood-change in soloists lonely soliloquy |
00:42
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| 42: Cue to restoration of main theme in its entirety as the movement ends |
00:22
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| 43: Third Movement (complete) |
04:15
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| 44: Scene setting and opening of First Movement |
00:34
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| 45: Expanded groups of answering phrase |
00:24
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| 46: Upper and lower strings alternately succumb to lethargy |
00:49
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| 47: As in Spring , soloist enters with birdsong |
00:34
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| 48: Orchestra hijacks soloists material |
00:40
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| 49: Soloist returns,first as turtle-dove, then as goldfinch |
00:50
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| 50: Gentle breezes give away to North Wing |
01:03
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| 51: The storm subsides; soloist enters as weeping peasant boy |
01:00
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| 52: Movement ends as storm returns |
00:17
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| 53: First Movement (complete) |
05:20
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| 54: Second movement opens with extremecontrasts |
01:34
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| 55: Second Movement (complete) |
02:28
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| 56: Stormy Weather; thunder |
00:37
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| 57: Lightning from upper strings |
00:22
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| 58: More lightning: heat lightning from violins, fork lightning from violas |
00:24
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| 59: Torrential rain, depicted by entire orchestra |
00:46
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| 60: Deferred entry of solo violin, in virtuoso vein |
00:54
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| 61: Peasants failing resolve as violin spirals down |
00:21
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| 62: Nature triumphant; soloist draws on orchestras rain music |
01:35
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| 63: The peasants capitulation |
00:23
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| 64: Third Movement (complete) |
03:03
|
CD02
| 1: Repetitiousness and folk music; the movements opening |
01:17
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| 2: Secondary theme, a closely related development of the first |
00:28
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| 3: Solo entry restates the opening theme, double-stopping |
01:05
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| 4: Unexpectedly, a new theme where a repeat might be expected |
00:36
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| 5: The soloist as drunkard |
00:45
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| 6: Further violinistic slips and slides |
00:15
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| 7: Orchestra re-enters with main theme, but is interrupted by the drunkard |
00:18
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| 8: Other drunks join in dialogue with the orchestra |
01:01
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| 9: The orchestral peasants continue their dancing, but things have changed |
00:57
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| 10: Enter another drunk, courtesy of the virtuoso soloist |
00:40
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| 11: The dance breaks up |
00:38
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| 12: The drunkard interrupts again, then falls asleep, breathing heavily |
00:56
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| 13: Conversation amongst the sober peasants leads to their final dance |
00:24
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| 14: First Movement (complete) |
04:46
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| 15: Scene-setting for Second Movement |
01:08
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| 16: Second Movement (complete) |
02:45
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| 17: Similarities between the Third Movement and the First |
01:06
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| 18: Expectation and surprise: Vivaldi tacks on one bar too many |
00:27
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| 19: A case of predictable unpredictablity: novelty and repetition |
00:36
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| 20: Soloists double-stopping depicts hunting horns |
00:34
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| 21: Orchestra yields to unexpected display of virtuosity by soloist |
00:38
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| 22: Soloist suddenly takes the part of the fleeing beast |
00:25
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| 23: Symmetrical paralels with First Movement: beast / drunkard etc |
00:47
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| 24: Death of the quarry, end of the movement |
00:17
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| 25: Third Movement (complete) |
03:13
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| 26: Orchestral strings enter, part by part; soloist depicts the biting wind |
01:24
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| 27: Wind subsides and returns, tormenting the trudgers through the snow |
00:53
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| 28: Soloist depicts snow flurries |
00:27
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| 29: Soloists flurries interrupted by six blasts of orchestral wind |
00:32
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| 30: Teeth chattering, and with stamping feet, the travellers finally reach their goal |
01:54
|
| 31: Cue to First Movement as a whole |
00:11
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