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| 1: Aida:Grand March and Triumphal Chorus |
07:28
|
| 2: La Traviata : Brindisi Libiam ne lieti calici |
02:54
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| 3: Early manhood, civil strife, and the start of a career |
05:07
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| 4: Overture to Oberto, Conte di San Bonifacio |
03:17
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| 5: Tragedy, creation, and the birth of a true professional |
02:19
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| 6: Overture to Un giorno di regno |
01:55
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| 7: Failure, despair, and rescue : the genesis o Nabucco |
04:38
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| 8: Nabucco: Chorus of the Hebrew Slaves Va, pensiero, sullali dorate |
04:38
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| 9: A sensation reported and recalled |
01:12
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| 10: Overture to Nabucco |
02:38
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| 11: Into the galleys: fame. frustration, and a major surprise |
07:38
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| 12: Macbeth : Chorus of the Scottish Exiles Patria oppressa! |
03:53
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| 13: The revolution of Macbeth and a return to safer ground |
04:32
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| 14: Overture to I masnadieri |
04:30
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| 15: Paris and a love affair |
03:30
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| 16: The revolutions of 1848 |
08:38
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| 17: Overture to La battaglia di Legnano |
03:58
|
CD02
| 1: Composition and censorship: the strife-torn birth of Rigoletto |
05:01
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| 2: Rigoletto : La donna e mobile |
02:16
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| 3: Verdi the unsurpassed psychologist |
00:52
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| 4: Rigoletto: Bella figlia dellamore |
04:12
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| 5: Strepponi, Busseto, and the rift with Barezzi |
06:22
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| 6: Escape : Verdi and Strepponi at Sant Agata |
03:50
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| 7: Il Trovatore : Soldiers Chorus Or codadi, ma fra poco |
04:04
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| 8: The Bear of Busseto emerges : the darker side of Verdi |
05:18
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| 9: Il Trovatore : Di tale amor che dirsi |
02:25
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| 10: Verdis divorce from his parents;his mothers death, and a theatrical fiasco |
08:56
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| 11: La Traviata: Dite alla giovine |
04:04
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| 12: Verdi and Women: Strepponi and the Dark Lady |
03:57
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| 13: La Travailata: Verdis trials at the Paris Opera |
03:01
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| 14: I vespri siciliani : Quando al mio sen per te parlava |
10:49
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| 15: Verdi in rehearsal - and a review from Berlioz |
05:05
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| 16: Overture to I vespri siciliani |
06:02
|
CD03
| 1: Yet more trouble with the censors |
02:01
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| 2: Un ballo in maschera: Ma se me forza perderti |
05:01
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| 3: A passionate patriot, a reluctant politician |
05:45
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| 4: A semi-official retirement, nursed by disenchantment |
02:59
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| 5: Verdi welcomes war |
02:20
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| 6: He travels to Paris for Don Carols |
00:42
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| 7: Don Carols: Tu che la vanita |
11:43
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| 8: Stupendous triumph |
00:49
|
| 9: Verdi shaken by deaths of his father, Barezzi, and Rossini |
04:23
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| 10: He meets Manzoni |
02:23
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| 11: An unusual opera |
01:31
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| 12: La forza del destino:Solenne in questora |
03:28
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| 13: Enter Teresa Stolz, exit Mariani |
06:48
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| 14: La forza del destino: Pace, pace |
05:25
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| 15: Strepponi struggles with jealousy as Verdi writes Aida |
05:33
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| 16: Aida: Act III, Nile Scene |
11:27
|
CD04
| 1: Verdi bemoans the corruption of the operatic world |
03:55
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| 2: Manzonis death begets a masterpiece |
01:13
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| 3: Requiem: Rex tremendae |
03:49
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| 4: The return to Shakespeare |
02:08
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| 5: Otello: Canzone del salce - Ave Maria |
06:58
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| 6: Verdi the Wagner of Italy |
02:34
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| 7: Otello: Desdemona rea, si, per ciel |
05:11
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| 8: A Shakespearian swansong |
06:55
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| 9: Falstaff : Finale Ogni sorta di gente; Facciamo il parentado |
07:11
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| 10: Old age and the death of Strepponi |
04:06
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| 11: Verdi the widower |
03:05
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| 12: Stolz and the aged Verdi; a visit from Toscanini |
03:12
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| 13: Te Deum |
02:15
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| 14: The old man dies and the world pays homage |
07:57
|
| 15: Requiem, Part VII: Dies irae; Requiem aeternam; Libera me |
11:24
|
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